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  • The Literary Mind and the Carving of Dragons

The Literary Mind and the Carving of Dragons

Liu Hsieh • Translated by Vincent Yu-chung Shih

English , 2015/01 Calligrams Series The Chinese University of Hong Kong Press

Tags: Philosophy, Literature, Calligrams Series

216 x 140 mm , 424pp ISBN / ISSN : 978-962-996-585-3

  • US$19.95

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The world is filled with ten thousand things in confusion:

Never overtax your literary thought.

The Literary Mind and the Carving of Dragons is the first comprehensive work of literary criticism in Chinese, and one that has been considered essential reading for writers and critics since it was written some 1,500 years ago. A vast compendium of all that was known about Chinese literature at the time, it is simultaneously a taxonomy and history of genres and styles, and a manual for good writing. Its chapters, organized according to the I Ching, cover such topics as “Emotion and Literary Expression,” “Humor and Enigma,” “Spiritual Thought or Imagination,” “The Nourishing of Vitality,”“Organization,” and “Literary Flaws.”

“Mind” is the ideas, impressions, and emotions that take form—the “carving of the dragon”—in a literary work. Full of examples and delightful anecdotes drawn from Liu Hsieh’s encyclopedic knowledge of Chinese literature, readers will discover distinctive concepts and standards of the art of writing that are both familiar and strange. The Literary Mind and the Carving of Dragons is not only a summa of classical Chinese literary aesthetics but also a wellspring of advice from the distant past on how to write.

Liu Hsieh (465–522) was a Chinese literary critic and a Buddhist monk in the Ting-lin Monastery.

Vincent Yu-chung Shih (1902–2001) was the author of The Taiping Ideology: Its Sources, Interpretations, and Influences and many Chinese language books on Confucian philosophy and Chinese aesthetics. He taught for thirty years at the University of Washington.

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