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  • 廣納百川 Artistic Confluence in Guangdong (Out of Stock)

廣納百川 Artistic Confluence in Guangdong (Out of Stock)

明至清中期廣東書畫選(香港中文大學文物館藏品)Selected Painting and Calligraphy from Ming to Mid-Qing China (Collection of the Art Museum, The Chinese University of Hong Kong)

Written and compiled by Dr. Peggy Pik-ki Ho


English, Chinese , 2021/03 Art Museum, CUHK

Tags: Art

320 x 244 x 30 mm , 432pp ISBN / ISSN : 978-988-19493-6-3

  • US$75.00


Out Of Stock

Written and compiled by Dr. Peggy Pik-ki Ho of the Art Museum of CUHK, this publication is a journey of retrospection and reconstruction of Guangdong painting and calligraphy from CUHK’s collection with in-depth and original research. It leads the readers to delve into the mindset of Guangdong cultural elites in relation to arts, culture, and history. On the occasion of celebrating the Golden Jubilee of the Art Museum, we hereby commemorate the unparalleled efforts and enthusiasm of these pioneers in their quest for applying their learned knowledge of statecraft to practical affairs and contributing to the nation’s intellectual legacy. The catalogue consists of five chapters: “Introduction,” “Subtlety and Silence have Merits,” “The Reluctant Choice of Shunning from the World,” “The Century of Arts and Culture,” and “The Sweeping Wing and the Elegant Bamboo,” with about 130 paintings, calligraphic works and objects. 

Prof. Ho Chuan-hsing wrote the title of the catalogue. Conservation of exhibits was carried out by Master Xie Guanghan, Leung Kai-hin, Yeung Mung-chuk, and Woo Tsz-ming. The exhibits were photographed by Tang Ming-leung and the exquisite catalogue was meticulously designed by Lo Kwan-chi.

本書由文物館何碧琪博士編撰,這是從靜水流深至廣納百川的回溯與重塑的歷程,透過館藏廣東書畫精品及深入淺出的文字,引領讀者重新思考廣東文化精英的思想源流與藝術、文化及歷史的關係。在文物館金禧館慶之際,特此紀念廣東先賢們為實踐經世致用、爭取在全國知識界佔一席位所付出超乎常人的努力和熱誠。本圖錄包括五章:〈緒論〉、〈虛靜有為〉、〈無奈避世〉、〈文藝世紀〉及〈風滿筠清〉,共收錄書畫、文物約130件。

何傳馨教授為圖錄題字,謝光寒師傅、梁啟軒、楊夢竹及胡子明細緻修復選件,鄧明亮專業拍攝,精美圖錄由盧君賜匠心設計。

Dr. Peggy Pik-ki Ho obtained a PhD degree from the Graduate Institute of Art History, National Taiwan University. She was awarded twice the Fu Ssu-nian Scholarship from Academia Sinica and received the Doctoral Dissertation Award in Humanities and Social Sciences from National Science Council, Executive Yuan of Taiwan. She is a Research Associate of the Art Museum, The Chinese University of Hong Kong (CUHK) and a member of the Xiling Seal Engraver’s Society. She curated exhibitions and published scholarly catalogues including Artistic Confluence in Guangdong: Selected Painting and Calligraphy from Ming to Mid-Qing China (Collection of the Art Museum, CUHK) (2021, for the Fiftieth Anniversary of the Art Museum), A Legacy of Elegance: Oracle Bones Collection from The Chinese University of Hong Kong (2017, associate editor and essay contributor, for the Sixtieth Anniversary of the United College) and The Bei Shan Tang Legacy: Rubbings of Stone Engraving and Model-Calligraphy (2015). She assisted the installation of the well-received exhibition “Unrivalled Calligraphy: Yan Zhenqing and His Legacy” organized by the Tokyo National Museum (2019). She was also the author of The History of Model Calligraphy from the Imperial Archives of the Chunhua Era [Chunhua getie shihua] (2017) and Sincerity and Intelligence Endeavor: Collected Essays on the Spirit of New Asia College for General Education [Chengming fenjin: xinya jingshen tongshi ziliao xuanji] (2019, co-editor, for the Seventieth Anniversary of the New Asia College). She published over thirty research papers in academic journals such as the Journal of Gugong Studies, Taida Journal of Art History, The National Palace Museum Research Quarterly, The National Palace Museum Monthly, and so forth. She presented papers and gave lectures at the Palace Museum, Beijing, National Library of China, Shanghai Museum, Zhejiang University, China Academy of Art, Xiling Seal Engraver's Society, Hangzhou, the Xi’an Beilin Museum, and University of Heidelberg. She has studied the rubbings collection of the Art Museum and nominated twenty titles for the “National Catalogue of Precious Ancient Books,” and all of them were selected in 2016 and 2020. CUHK is the only Hong Kong institution which has been included in the list.

何碧琪,台灣大學藝術史研究所博士,她兩度考獲臺灣中央研究院歷史語言研究所傅斯年獎學金,及獲頒臺灣行政院國家科學委員會人文與社會科學領域博士論文獎。現為香港中文大學文物館副研究員及杭州西泠印社社員。她策劃展覽並編撰《廣納百川:明至清中期廣東書畫選》(2021,文物館五十周年)、《典雅勁健:香港中文大學藏甲骨集》(2017,副編輯及論文作者,聯合書院六十周年)及《北山汲古:碑帖銘刻拓本》(2015),協助東京國立博物館《書聖之後——顏真卿及其時代書法特展》(2019)佈展。著作包括《淳化閣帖史話》(2017)、《誠明.奮進——新亞精神通識資料選輯》(2019,合編,新亞書院七十周年)。她於《故宮學刊》、《臺灣大學美術史研究集刊》、《故宮學術季刊》、《故宮文物月刊》等期刊發表學術論文共三十多篇,先後赴北京故宮博物院、國家圖書館、上海博物館、浙江大學、中國美術學院、西泠印社、西安碑林博物館、德國海德堡大學等發表研究及交流。2016及2020年為中大文物館申報20件拓本列入《國家珍貴古籍名錄》,是首次有香港院校的藏品入選。

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